Remark's representation of the war in "All Calm on the Western Front" celebrated in nationalist ideals. In its exploration of the relentless physiological and physical strains that war places on soldiers, it alludes to the nationalist and patriotic ideologies that surrounded World War I at the time. He characterizes it as a tool used by higher powers to seduce soldiers into a war that does not concern them ethnically, thereby showing the true colors of nationalism in the harsh realities of war. Additionally, in the constant personification of Remarque and the unromanticized revelation of death, he depicts the brutality of war and the lustful effect it has on the soldiers, where he highlights their patronizing moral "bankruptcy" . In their emotional and alienated disconnection from reality, he then explores the catastrophic impact this had on the soldier's well-being and humanity. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay In the novel, Remarque explores a context characterized by nationalist and patriotic ideals, yet presents an alternative reality through the soldiers' "battle for lives." who break this hypocritical tool of simulated political doctrine. Kantorek in the novel is a symbolic representation of those nationalist ideals that conceal a false assessment of the war: “You'll all leave, won't you, guys? His matter-of-fact tone and the shift of Comment from the first to the second person underline the poignancy of this scene where Kantorek, in his obsession and perspective of a "glorified, nationalist war", actually encourages his students, in reality, in a “death cage”. Perversely, Remarque writes: "They were supposed to be the ones who would help us eighteen-year-olds make the transition, who would guide us into adult life, into a world of work, of responsibilities, of civilized behavior." and progress – towards the future." Paul's sterile assessment of "idealized" adult life unlike Kantorek, presents a strong anaphoric and monotonous pattern with a lack of positive connotations which highlights an unromantic and rudimentary representation of life which dehumanizes Paul and the soldiers as mere tools used by politicians of war. Moreover, Remarque explores the tensions between the bureaucratic forces on several occasions. In a poignant scene on the "front", Baumer stabs and. kills an innocent French soldier: "He is the first man I ever killed with my own hands...he has an invisible dagger to stab me: the dagger of time and my own thoughts. I would give much for him to live." . In this ironic scene, Remarque's use of metaphor and variation in sentence length emphasize the destruction of "nationalist ideals." It demonstrates the captivity of interbureaucratic relations, where Paul stabbing the innocent soldier symbolizes his stabbing and escaping the imposed political doctrine that characterized the context of the First World War at the time. Likewise, Note's novel departs from a romanticized revelation of war and instead offers a realistic interpretation, synonymous with the vigorous realities of war through its constant personification of death and the degrading effect it has on the soldiers. "Now the gas is meandering above the ground... It's creeping into our shell hole, making its way like a large, soft jellyfish." Baumer here personifies the gas, which becomes,

Essay / Remark's representation of the war in "All Calm on the Western Front" celebrated in nationalist ideals. In its exploration of the relentless physiological and physical strains that war places on soldiers, it alludes to the nationalist and patriotic ideologies that surrounded World War I at the time. He characterizes it as a tool used by higher powers to seduce soldiers into a war that does not concern them ethnically, thereby showing the true colors of nationalism in the harsh realities of war. Additionally, in the constant personification of Remarque and the unromanticized revelation of death, he depicts the brutality of war and the lustful effect it has on the soldiers, where he highlights their patronizing moral "bankruptcy" . In their emotional and alienated disconnection from reality, he then explores the catastrophic impact this had on the soldier's well-being and humanity. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay In the novel, Remarque explores a context characterized by nationalist and patriotic ideals, yet presents an alternative reality through the soldiers' "battle for lives." who break this hypocritical tool of simulated political doctrine. Kantorek in the novel is a symbolic representation of those nationalist ideals that conceal a false assessment of the war: “You'll all leave, won't you, guys? His matter-of-fact tone and the shift of Comment from the first to the second person underline the poignancy of this scene where Kantorek, in his obsession and perspective of a "glorified, nationalist war", actually encourages his students, in reality, in a “death cage”. Perversely, Remarque writes: "They were supposed to be the ones who would help us eighteen-year-olds make the transition, who would guide us into adult life, into a world of work, of responsibilities, of civilized behavior." and progress – towards the future." Paul's sterile assessment of "idealized" adult life unlike Kantorek, presents a strong anaphoric and monotonous pattern with a lack of positive connotations which highlights an unromantic and rudimentary representation of life which dehumanizes Paul and the soldiers as mere tools used by politicians of war. Moreover, Remarque explores the tensions between the bureaucratic forces on several occasions. In a poignant scene on the "front", Baumer stabs and. kills an innocent French soldier: "He is the first man I ever killed with my own hands...he has an invisible dagger to stab me: the dagger of time and my own thoughts. I would give much for him to live." . In this ironic scene, Remarque's use of metaphor and variation in sentence length emphasize the destruction of "nationalist ideals." It demonstrates the captivity of interbureaucratic relations, where Paul stabbing the innocent soldier symbolizes his stabbing and escaping the imposed political doctrine that characterized the context of the First World War at the time. Likewise, Note's novel departs from a romanticized revelation of war and instead offers a realistic interpretation, synonymous with the vigorous realities of war through its constant personification of death and the degrading effect it has on the soldiers. "Now the gas is meandering above the ground... It's creeping into our shell hole, making its way like a large, soft jellyfish." Baumer here personifies the gas, which becomes,

Navigation

« Prev 1 2 3 4 5 Next »

Get In Touch