Bleak House by Charles Dicken is considered one of the most complex and greatest novels in the English language. The novel features numerous characters and subplots told by two different narrators This 750-page novel satirizes the English legal system, which helped promote legal reforms in the 1870s. How could Andrew Davies translate this novel into a television series. of only 8 episodes Making Bleak House into a show was already done in 1985, where most of the audience said it was superb and one of the greatest adaptations of the novel they had. have ever seen. How will Andrew Davies differentiate himself from this series? Is it even possible for him to have a better adaptation of the novel than the 1985 series? “Why Violent Video Games Should Not Be Banned”?Get an original essayWhenever a literary work is translated into a movie or show, most of the audience thinks that a lot has been left out and that the book will be always superior. Movies and shows only give a slight glimpse into the world seen through literature. It is impossible to translate every image, feeling and effect from a novel into a film or performance. People who have read the books and go to see the movie will always be disappointed because the book is still the original and correct way of presenting literature. People have their own interpretation and their own image of what the book is supposed to look like. 500 different readers of the same book can have 500 different ideas about what a character should look like. Furthermore, if the actor does not live up to the reader's expectations, the reader will be disappointed. There is also a limited amount of narration in a film or series, and the script may not do the story justice. This comes with the question of why directors and writers are still trying to adapt novels into films and shows. Why do these writers still take on the immense task of disappointing and letting down the audience who reads the novel? Through this reflection and my love for the novel Bleak House, I created the following question: To what extent did Andrew Davies adapt Charles Dickens' novel into his television series Bleak House? A series in literature is when a larger single work, often a work of narrative fiction, is published in small, sequential episodes, usually in the journal. During the 19th and 20th centuries, serial fiction grew in popularity, during the Victorian era. Serialization of novels was television before television readers waited for the newspaper and/or magazine to come out so they could read the next series of their story. The first major success of a serialized literary work was Charles Dickens' The Pickwick Papers in 1836. Many authors have drawn inspiration from Dickens' method of serialization. This new way of storytelling continued and Sir Arthur Conan Doyle, who created Sherlock Holmes stories originally for serialization in The Strand magazine. Over time, this British way of doing things carried over to America. The first important American work to be published in serial form was Uncle Tom's Cabin. As time progresses towards the end of the 20th and beginning of the 21st century, the serialization of novels began its slow decline due to the increase in broadcasting. Newspapers began to focus more on entertainment and television. Serialization, this way of dividing a large piece into several parts translated into television. The broadcastsTV shows were divided into episodes like novels were divided into small pieces. That's sort of how Andrew Davies' TV series Bleak House resembled Charles Dickens' novel. This breakdown of the story has a very significant effect on the reader/observer. After each episode or series, the audience is left with suspense and curiosity. They want to know what's going to happen in the story, so they wonder until the next episode or the series comes out. This keeps the audience on their feet and draws them in. In an interview with the BBC, Andrew Davies said he hoped its half-hour format would keep viewers coming back for more. “What was most important to us was telling the story in a way that would absolutely make people die to find out what happens next.” Having said that, Andrew Davies clearly made the series episodic to resemble the serial feel of the novel. After the entertainment became popular, serial novels became quite unpopular, but some writers continued to publish their serial novels on the World Wide Web. In 2011, pseudonymous author Wildbow released Worm, which remains one of the most popular web series of all. Since the week of April 17, 2017, 170,000 unique people have read Worm. Many aspiring authors also use the Web to publish free works in serialized format independently, as well as in Web communities. receive as many readers as successful novels; some received the same number of readers as the New York bestsellers. Bleak House was serialized this way. Andrew Davies left out more than ten characters in his adaptation of the novel: Snagsby's Wife, the Papermaker. ; the wife and grandson of pawnbroker Smallweed; law clerk Tony Jobling; the bankrupt Jellyby; Several cousins ​​of Sir Leicester Dedlock; and the Bagnet family, friends of former Sergeant George. Andrew Davies has never explained why he deleted these characters from his adaptation of the novel. These weren't characters who were just in the background of the story and had no impact. They were very important to the plot and storyline of the novel. The story regarding Mrs. Snagsby's paranoid jealousy of her husband is completely omitted. That's because Mr. Snagsby's wife isn't even in the adaptation. In the novel, possession of Lady Dedlock's letters involves Tony Jobling and Smallweed junior. Since Davies left these characters out, he used Mr. Crook, a landlord, and Mr. Guppy, an employee of Mr. Kenge's law firm, as the characters involved in the possession of his letters. The final plot, which was depicted differently in the show was the reconnection of George and his mother, which in the novel was brought about by Mrs. Bagnet. In the series, there was no Mrs. Bagnet, so Esther Summerson and Mr. John Jarndice found his mother and told her where her son was. These are all examples of elements excluded from the series that were in the book. However, there is one example of a subplot that was part of the series but not in the book. Mr Tulkinghorn is counsel to Sir Leicester Deadlock and senior counsel at the Chancery Court. He is the mysterious antagonist that Dickens and Davies choose not to resolve. Throughout both works, the reader/viewer is left wondering what Mr. Tulkinhorn's true intentions are until the end. He is the devil character in the story and has sinister intentions to harm Lady Deadlock. In the novel, there is a narrator who shows Mr. Tulkinhorn's motivations and actions. In the series there is no narrator, so Andrew Davies created a character known as Mr. Clamb. He is the clerk of.