"Hardy evokes in us a graphic dimension, then, apparently without realizing the danger this represents, he allows another Eustacia to enter his novel. This Eustacia emerges, through a coherent pattern of speech and action as a creature unfit for the solitary heights of tragedy” In his essay “The Other Eustacia,” Robert Evans argues that through allusions to Greek tradition, Hardy sets the stage for. a classic tragedy, but then disappoints its readers with a character closer to the average teenage rebel Evans writes: "So here is the other Eustacia, an emotionally unstable teenager, given to self-pity and melancholy, basically. cold and selfish." He supports his arguments with examples of Eustacia's behavior. She loves Clym as a source of momentary passion and fails to comfort him in times of need because of her own self-pity. Additionally, Evans accuses Eustacia of "petulance and childishness" in her willingness to trample on Thomasin Yeobright to obtain her own personal pleasure. Because Evans' analysis concludes that Eustacia's downfall is the result of her own failings as an immature, romantic, and melancholic teenager, in his view, The Return of the Native Lacks the grandeur of a true tragic fiction. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Should Not Be Banned"?Get the original essay Robert Evans fails to produce a viable explanation for Hardy's portrayal of Eustace because he chooses to focus on the contradictions rather than the links between the “queen” of the night” and the “courteous suitor”. Eustacia, the social rebel and the tragic heroine, work together to produce a thematic representation of the conflict between the individual and the community. This interpretation of Eustace's double image realizes the novel's potential and supports the tragic proportions suggested throughout the work. The “courteous suitor,” whom Evans criticizes for undermining the tragedy of the novel, plays a key role in developing a realistic human image of Eustace. As an author interested in presenting an authentic depiction of the human condition, Hardy explores the tragic clash between Eustacia's passionate dreams and the harsh reality of the world in which she lives. A careful examination of his background and circumstances refutes criticism that his actions are selfish or ridiculous. Evans attacks his lack of interest in Thomasin by trying to seduce Wildeve. His actions may seem self-centered, but in reality his reaction is natural for someone who lacks community influence. The women of the moor hate Eustacia because her beauty endangers the security of their marriage and the future of their sons. Trying to protect her son from Eustacia, Mrs. Yeobright expresses her suspicions: "Miss Vye is in my opinion too idle to be charming." I never heard that she was helpful to herself or others. Good girls don't do it. be treated like witches even on Egdon" (Hardy 237). Eustacia does not practice witchcraft, but her ability to charm men makes her the avowed enemy of the women around her. Even if she captivates men, nor does their idolatry ensure normal relationships. For them, she represents the goddess far above their own earthly existence, “a romantic and sweet vision, barely incarnated” (397). withdrawn, Eustacia has no normal family to provide her with the human relationships she lacks because of her separation from people in health. As a social outcast and orphan, Eustacia finds herself isolated from people who. could teach him the values ​​of charity, 1985.