Art and music have been naturally associated with each other in almost every culture around the world since the beginning of history. When it comes to punk rock and its visual counterpart, the connection goes beyond just similar styles and working methods. Artists participating on both sides of the spectrum not only broke the same rules and spoke to the same audiences, but they belonged to the same social groups and frequented the same neighborhoods and clubs. This paved the way for the collaboration and parallel growth of the two art forms. Through the DIY ethic, visual and musical punk artists created their work and distributed it cheaply, avoiding participation in mainstream media and corporate agendas. The most notable contribution of punk visual culture is the zine. A punk zine is an inexpensive magazine about punk music and the scene that corresponds to it. It is then reproduced using photocopies or other inexpensive printing and bound with a staple, if necessary. For this reason, the majority of zines were black and white, cheaply made, and made in copy shops. They intentionally ignore the layout of standard magazines and display a level of anti-design. One of the DIY methods they used quite often was to use cut-out "ransom" style letters from other magazines and newspapers to spell out their messages. Most zines were extremely low budget and the photocopied images gave them a raw look while costing very little,1 something they used to their advantage and adopted as part of the style. Jamie Reid, the designer of the Sex Pistols' album cover for Never Mind. The Bollocks used the same basic idea of ​​high contrast. The bright colors used were neon pink and yellow with black. These co...... middle of paper ......15/the_permanent_revolution/3Triggs, Teal. “Scissors and glue.” Oxford University Design History Journals, 2006, HYPERLINK "http://www.jdh.oxfordjournals.org/cgi/content/abstract/19/1/69" http://www.jdh. oxfordjournals.org/cgi/content/summary/19/1/694 Pomoni, Christina. “How Punk Rock’s DIY Ethic Influenced Independent Labels.” February 28, 2009, HYPERLINK "http://www.associatedcontent.com/article/1521552/how_the_diy_ethic_of_punk_rock_influenced.html?cat=33" http://www.associatedcontent.com/article/1521552/how_the_diy_ethic_of_punk_rock_influenced.html?cat=335Heller, Steven. “Putting Punk into DIY: An Interview with John Holstrom.” AIGA, August 9, 2005, HYPERLINK "http://www.aigi.org/content.cfn/putting-the-punk-in-diy-an-interview-with-john-holstrom" http://www.aigi. org/content.cfn/putting-the-punk-in-diy-an-interview-with-john-holstrom