The year 1959 marked a monumental year in the history of American music. Many American jazz artists made recordings that profoundly influenced society and left a lasting impact that is still present today. Musical experimentation during this year is considered the pinnacle of American jazz success, and jazz reached new heights characterized by innovation, creativity, ingenuity, magnificence, groove and much more. even more. Essentially, four major jazz albums were created that changed music forever: Kind of Blue by Miles Davis, Time Out by Dave Brubeck, Ah Um by Charles Mingus, and The Shape of Jazz to Come by Ornette Coleman. Say no to plagiarism. Get a Custom Essay on “Why Violent Video Games Should Not Be Banned”?Get Original Essay Kind of Blue by Miles Davis attracted more people to jazz than any other jazz recording, even after its release it more than fifty years ago. The album developed a powerful and grandiose new jazz musical statement. The album Kind of Blue is typical of a style of modal jazz, which is music based on the extended repetition of one or two chords or music based on modes rather than a chord progression. Kind of Blue's "So What" improvised, with no time reference and no clear rhythm start with the bass and piano gives a fuzzy, fuzzy idea of ​​the direction the song is taking, with a big riff that gives the energy and Jimmy Cobb plays. an incredible cymbal crash following the introduction. The main characteristic of Miles is therefore Miles' haunting, hippie trumpet sound, which was unique and special and was developed from his playing during the bebop era with musicians such as Charlie Parker, the leading alto saxophonist of the bebop era. Kind of Blue is so important in the history of American jazz because it had a prodigious influence on jazz music and the legacy of its members. Additionally, it opened up a new direction in jazz music, as well as a more thoughtful view on creating jazz compositions. Three interesting facts about Kind of Blue are that it is the best-selling jazz album ever made, selling over five million copies, it regularly tops polls for the best albums jazz and features prominently on lists of best albums in all categories, and that it took Miles and the band seven hours to record Kind of Blue, with all but one of the tracks being first takes. A funny story about Miles Davis and the quartet is that when Kind of Blue was first recorded, a sound engineer told Miles Davis and the band that the drums were making surface noise , and Miles Davis responded to him saying that he was part of the album when it was recorded. Dave Brubeck's album Time Out is known for pianist Dave Brubeck's rhythmic experimentation. Time Out's style is cool jazz, in which the music was not as irregular, unpredictable and sophisticated as bebop, and was more subtle and incorporated classical harmonic devices into the composition. Take Five, one of the tracks on the Time Out album, was composed in 5/4 time and was written around a drum solo. Time Out is so important in the history of American jazz because it was so easily accessible to the average person because it was not too complicated and appealing because the group represented the American middle class. Three interesting facts about Time Out are that each track is written with a different time signature and tempo, it made it onto the pop charts and became one of the most popular jazz recordingsthe best-selling ones ever released, and that it took Dave Brubeck several years to build the line. -up of his quartet who recorded the album Time Out. An interesting story about the Dave Brubeck quartet is that when the quartet added African-American bassist Eugene Wright and was touring universities in America's southern states, the president of a college visited by the quartet became concerned because the students were going crazy and loud and asked Dave Brubeck to place Eugene Wright at the back of the stage to avoid being noticed. However, during the second song, Dave Brubeck asked Eugene Wright to come and perform his solo in front of the stage, and Eugene Wright performed in front of the entire audience, unaware before heading to the front of the stage that Dave Brubeck was preparing this movement. Charles Mingus' album Ah Um is known as a musical statement of great jazz that was incredible and influential across America. Charles Mingus, bassist and composer, believed that time was both alive and wanted the freedom to play, write and encourage his musicians to improvise in any musical style, and did not view jazz as the development of new styles as the years have passed. Ah Um's style is post-bop, where he incorporates a variety of styles such as modal jazz, avant-garde, free jazz, and hard bop. Several tracks from the Ah Um album include "Better Git It In Your Soul", known as the incredible opening track of the Ah Um album and Self Portrait In Three Colors, known as a composed and multi-faceted composition without all solos. While Charles Mingus was known as a temperamental, aggressive and demanding musician and composer, he was an extraordinary player and improviser, and used music to express emotions and feelings, such as passion, tenderness, spirituality and more Again. Ah Um is so important when it comes to the history of American jazz because it expresses socioracial struggles and other political beliefs that served as an influential message against racism in America, which helped create an atmosphere that brought people to respect a person beyond color distinctions. Three interesting facts about Ah Um are that it was one of four albums Charles Mingus made that year, Charles Mingus allowed other musicians to incorporate different musical elements during improvisation in a colorful and provocative way , and it featured the song "Fables of Faubus," based on a 1957 event in which Arkansas Governor Faubus ordered the National Guard to prevent African-American teenagers from entering Central High School in Little Rock, Arkansas, and would not allow integration, despite a lawsuit. settled by the Supreme Court. An interesting story about Charles Mingus and the band is that one night, at a small club on West 4th Street in New York, Charles Mingus became furious during an argument with the pianist and shouted "You're not playing you play yourself. notes,” and put his arm inside the piano, grabbed the strings and pulled them out with one fist. Ornette Coleman's The Shape of Jazz to Come is known as a spectacular and bold musical statement unlike any jazz album recorded before. One of the pieces from The Shape of Jazz to Come, Lonely Woman, is considered one of the greatest jazz compositions ever written, which blended and brought Ornette Coleman and the quartet together as one. The album Shape of Jazz to Come illustrates free-jazz, a classification of the avant-garde style, where the music contains improvised solos without predefined chord progressions, and sometimes also without predefined time signatures. Ornette Coleman's The Shape of Jazz to Come is so.