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Essay / Art of Gustave Caillebotte and Georges Seurat: Compare and Contrast
The historically similar artworks of artists Gustave Caillebotte and Georges Seurat are both distinctly similar and different in many aspects, as well as in their themes. When you begin to observe, the two images depicted above share many similar visual aspects such as time, movement, and lines, but vary in terms of light, color, and space. Each of the artistically unique artists incorporated several contrasting design principles such as balance, rhythm and unity. However, looking at their similarities, both paintings share variety and subordination. Although this coin may illustrate many similarities and differences, when it comes to examining the historical time period of each coin, the two are indistinguishable. A Sunday afternoon on the island of La Grande Jatte and rue de Paris; Rainy Days occurs in the late 19th century, also known as the Post-Impressionism and Impressionism period. These two extremely similar and different works of art have related principles and visual elements like color, while also contrasting elements like balance. Both Suerats and Caillebotts' plays also have the same underlying theme which seems to be politics and social order, while its main contrast seems to be Be Stylish. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an Original Essay The subject matter that appears in both pieces appears to be visually the same, they both create the traditional and classic day in a person's life. living in the 1800s, which illustrates a casual walk throughout the day or a beautiful sunny day at the park. The form within the two historically similar paintings has many similarities and differences that are easily recognizable. For example, both paintings offer a variety of sizes; like enlarged, small, medium and different shapes; as irregular or geometric. However, each room incorporates different color palettes and intensified hues. The form of both paintings includes similar materials such as oil, which creates a similar post-impressionism effect. The subject matter and form of these two paintings allude to literal and physical appearances, which allow viewers to establish and understand the physicality and literality of the painting, ahead of the implied meaning and theme. When comparing these two paintings, it is easy and easy to identify that Gustave Caillebotte and Georges Seurat both used oil on canvas as their primary technique. The widely used technique creates a thinner paint that can dry slower or faster and is considered more advantageous than other painting techniques due to its many applicable aspects. Together, both paintings were created during the same time period, the 1800s, which was called the Victorian era when referring to the many historical eras in history. When referring to the content or connotation of each of these paintings, one can notice that they differ considerably. The underlying content or meaning conveyed on a Paris street; Rainy Day may symbolize the difficulties and obstacles that some Parisians faced during the Victorian era, while the content of A Sunday in La Grande Jatte may mean the calm before the storm or the contentment and happiness before the onset of another obstacle. When identifying each piece, each piece is unique and similar. elementsvisuals, we can notice the similarity in time, movement and implementation of lines. In comparison, the use of time and movement in both paintings exposes and illustrates the specific period and common aspects of fashion during the 1800s. The institution of time in each piece allows the audience to establish and understand the usual typical day that people lived in the 19th century. The movement in both pieces adds distinct clues to a normal day in the 1800s, such as the nighttime stroll down Paris Street; Rainy day or casual day in the park that can be observed in A Sunday at La Grande Jatte. Likewise, both artists also included the artistic use of lines in each painting, which can be identified or seen on the two umbrellas of each painting. The implementation of lines in both tables establishes the implied height of each of the umbrellas, while the thinness of the lines illustrates the insignificant strength of the weak line. The use of lines, movement, and time in both pieces allows us to understand small increments of detail that further explain the artistically similar paintings. While these two distinctly similar pieces have many similarities when it comes to visual elements, they also feature many contrasting elements. As you compare each of these rooms, you may notice the differentiation in light, color and space. By comparing the rue de Paris; Rainy Day and A Sunday at La Grande Jatte, it clearly highlights the differences in the use of color and light, as you may notice that Seurat's painting incorporates a larger scale of bright colors with cool tones, with small increments of warm tones, as well as complementary colors like green and red, or blue and orange. The 1886 painting includes the pointillist painting technique, as it adds small dots mixed at a distance, as well as a more intensified restricted palette. While Caillebotte's paintings incorporate several neutral colors like black, white and brown with small fragments of dull complementary hues. Caillebotte's painting also includes shades of a dull yellow or beige throughout the buildings, as well as a shade of brown throughout the masonry road. The differential use of light in the two works is easily distinguished, as you may notice that Caillebotte uses chiaroscuro to model the different values on the faces and umbrellas of the Parisians, unlike Seurat who uses a scale of larger values to cast shadows on the grass and faces of people sitting on the lawn. Referring to both paintings' use of space, Seurat's implementation of space involves a larger area and distance throughout the work, while the placement of buildings and citizens by Caillebotte implies a smaller scale of space, because larger scale buildings imply that streets are smaller scale. As you look at each painting, you may notice several contrasting design principles like balance, unity, and rhythm. As you examine the two paintings, you may notice the difference in balance between each piece, where Caillebotte's painting displays asymmetrical balances since the two largest enlarged citizens appear on the right side, while on the left are two many citizens on a smaller scale, which thus balance each other out. out. However, when observing Seurat's painting, the darker side strikes a balance rather than larger scale objects. Another contrasting principle would be..