Looking at literature in a general sense, one can see that some pieces which use a distorted literary style, instead of the direct directness of realism, can, when actually written, be very useful and highly informative, if only for the higher level of thinking required and inspired by their unnaturalness. Franz Kafka's The Metamorphosis is a clear case of effective distorted literature, where several important factors in the story are altered in one way or another to exaggerate the severity of the protagonist's actual position in life. In the story, Kafka uses abstract symbols, such as Gregor's family members and his relationship with them, combined with, or more likely brought about by Gregor's physiological metamorphosis, to reflect the actual degree of social and family value of Gregor, and moreover, allegorically highlight the faults of society. and the nuclear family. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an Original Essay At first glance, this story really seems to be about very little, and superficially offers its readers a modicum of information from which to draw conclusions about Kafka's purpose. The story seems too difficult to an uninvolved reader to be effective, as it exists in a world we are not currently accustomed to. Kafka creates a world in which a person can transform overnight into an oversized insect and care less about the metamorphosis than about the work they are missing. Because the story is written this way, because it is distorted, it requires a deeper approach than reading something written in the style of realism. With realism, some details are provided to the reader and much more is explained; in general, everything can be taken literally, but distortion demands more from its readers. This requires the story to be read at a higher level and provokes more questions that are easily answered. For these reasons, the conclusions drawn from reading a distorted story, as opposed to a realistic play, will be deeper, more important, and more lasting. The first and most obvious instance of distortion in The Metamorphosis is Gregor's actual physical transformation from a man. bug. The importance and effectiveness of this story depends on this event and the reader's ability to accept it as fact. By making the protagonist of the play an insect, Kafka attempts to raise questions about the meaning of physiology, but at the same time tries to avoid complexes about the feasibility of metamorphosis. At no point in the story does Kafka hint at the idea that Gregor may not be an insect, but is dreaming or hallucinating; instead, he uses point of view and point of view to limit the audience's area of ​​focus and force them to focus on the ideas occupying Gregor's mind. For example, early in the story, Gregor oscillates between noticing the changes in his body and thinking about how he hates his job. Because these are Gregor's goals, they also become the reader's, and we are likely to regard his physical change with as much passivity as is Gregor's nature. Furthermore, because Gregor never questions the possibility of this change, the reader will not question its possibility either, and we can move forward, using this metamorphosis as a fact and a hub from which all other distortions and the overall truth can be,.