Since the first paintings of cavemen, we have always tended to record and capture events that have some importance to us. There have always been developments and inventions of mediums to aid him in his process. However, with the invention of the camera, the documentation of events changed significantly, with photography seeming to be the better medium. “Capturing Different Realities” takes a look at the documentary photography of 20th century artists and how their photographs contributed to the growth of documentary photography and evolved into what we call “documentary photographs” today. In addition to the general understanding of the caemra's ability to document realities, the exhibition will simultaneously evaluate and question the most prized photographs, from large photographs to questions and understand the aesthetic value of photography, their artistic expressions to deepen its value as a work of art. The exhibition mainly focuses on documentary photos of famous artists of the 20th century. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay Some artists in this exhibition took a broader approach to documentary photography or perhaps even reality itself, and have chosen to let their creative strengths influence their documentary approach and feature certain photographs. However, humanist artists strongly contradicted the idea of ​​these fabricated photographs, supporting the idea of ​​pure photography where the photographer only plays the primary role of observer. In addition to these ideas, some artists have been able to form a strong bond with their subject which manifests itself through strong images which are often hidden from our eyes and beyond our imagination. Even with their diversity, these artists and photographers aim to document certain events that occur, they even document a broader state of mind that can be found in the finite world of documentary photography. After all, using artistic freedom to express a potential scene also documents the world inside the photographer, which is very similar to sharing what the photographer experienced and witnessed. So, these contradictory differences in approach within documentary photography make for a very interesting and powerful exposition that helps us define documentary photography. Additionally, access to the formal aspects and excellent use of the medium gives us an interesting insight into why also exhibits board art. as well as questioning the photographs. The exhibition therefore set out to examine the artistic possibilities of documentary photography as well as the aesthetic experience that the photographs created. The exhibitions feature works by master photographers who have truly helped shape the world of documentary photography. Artists Robert Capa, Henri-Cartier Bresson, Brassaï (Gyula Halász), Vivian Maer, Robert Frank, Mary Ellen Mark, Arthur Fellig, Cindy Sherman. First of all, Endre Erno Friedmann (October 22, 1913 – May 25, 1954), best known as Robert Capa, was born in Hungary. He is considered one of the greatest war photographers. He was able to document the Spanish Civil War, the Second Sino-Japanese War, World War II across Europe and many more. It was during the Spanish Civil War in 1936 that he took the most famous photo of the “Falling Soldier” with his 35mm camera. Understanding the necessity and importance of photographydocumentary, he later co-founded Magnum Photos, the world's largest photojournalism organization, with his good friend Henri-Cartier Bresson in Paris. Although he was a co-founder of a photojournalist organization, his photograph of the "Falling Solder" later came under scrutiny because some believed it was staged. However, even though it is a staged photograph, it can be considered documentary because it is not uncommon for soldiers to fall on the battlefield as casualties of war. Being able to produce this in an image using artistic freedom documents the possibility of a soldier falling as a casualty of war. Capa said "if your pictures aren't good enough, you're not close enough", unfortunately while trying to get closer his subject stepped on a land mine, which killed him, making him a casualty of war. Henri Cartier-Bresson (August 22, 1908 – August 3, 2004), born in France into a wealthy merchant family, was a French humanist photographer considered a master of candid photography. At a young age, Cartier-Bresson was given a brownie box, a small Kodak camera to take photos of his family members. However, once he saw Martin Munkácsi's "Three Boys at Lake Tanganyika", he was inspired by the spontaneity of photography and began to take photography seriously and really began photographing everyday life as as a human photographer. But initially, inspired by his painter uncle, he began his artistic journey as a painter. Trained under André Lhote, who worked with Pablo Pisacco as a Cubist painter, Cartier-Bresson learned most of his geometric implications in the Renaissance paintings that his master had them reproduce rigorously. Alongside the training, he had the privilege of visiting a café where the surrealists held meetings, which strongly influenced his phototaph. Picnic on the banks of the Marne, taken in 1938, which he filmed with his Leica Rangefiner 35 mm, shows his vision of geometry and its influence on surrealism. Cartier-Bresson had begun to design a completely new way to focus on the daily lives of normal people. In 1932, at the age of 24, his images of ordinary men and women in France, Spain, Italy and Mexico began appearing in publications and on gallery walls. Robert Frank (born November 9, 1924) is a Swiss-American photographer still active even at this age. He is best known for his remarkable work, The Americans, in which he documented the daily lives of Americans and revealed the side of America that was properly hidden from the world. One of the reasons he was able to document American life in a different light was because he was not American and was not indoctrinated by American culture. Initially, Frank had come to the United States as a fashion photographer for Harper's Bazaar and was very optimistic about American society and culture. However, not being able to exercise his freedom in his photography, along with differences in culture, the fast pace of American life, and the materialistic mentality of Americans, led Frank to view America as a "dark and dark place." lonely ". His 1955 photograph, "Businessmen Working on Briefcases on Towers During a Ride on Pennsylvania's Afternoon Congressional" explains his thoughts. which was evident in his photographs. This earned Frank com. Vivian Dorothy Maier (February 1, 1926 – April 21, 2009) was an American street photographer who was not famous until after her death. A Chicago collector, John Maloof, acquired.