Bradbury suggests in "There Will Come Soft Rains" in The Martian Chronicles that the human race will eventually meet its doom. And when this happens, the universe will simply continue to rotate on its axis without suffering any impact caused by it. Particularly relevant to 21st century audiences, Bradbury suggests that nature has a powerful capacity to overpower humans and our impact on the world, despite all the industrial innovations that have revolutionized our civilization and despite all the technological achievements we might have made during our lives. earth.Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay This particular chapter of Bradbury's The Martian Chronicles blatantly highlights humanity's struggle against all-powerful nature. Specifically, the automated house suggests this conflict: the house is a technologically advanced structure and can certainly be considered a modern achievement for man. Bradbury strongly emphasizes how highly technological the structure is by ridding the setting of any human presence in the chapter. In doing so, he suggests that humanity thinks it is so intellectually inclined that it can design a machine capable of operating without the constant supervision of humans. However, even if man believes himself powerful thanks to such mechanical innovations, the “smart” house is still not safe from the pouring rain (167). The house is always wet, which implies that the laws of nature always limit man and his works. Metaphorically, the rain that floods the sides of the house is indicative of the natural way in which the universe dominates or rather overshadows man's wish to leave an impact on the world during his existence. Bradbury then develops this concept of man's lack of power in the poem. , “There Will Come Soft Rains,” which he strategically inserted to directly follow the description of rain as a reemphasis. Indeed, this poem has a very great meaning for the Martian Chronicles, obviously since it is the very title of one of the chapters of the novel. In this specific section, Bradbury describes the automated home exclusively. To emphasize the high degree of advancement and technological capacity of the house, no human presence is described. The author does this to emphasize how humans can produce such highly mechanical systems, and despite these innovative feats, mechanics can never eclipse nature. At certain times, the house operates according to the scheduled schedule. For example, at 9:05 a.m., the house was scheduled to hold a poetry reading session. The literary piece selected was “There Will Come Soft Rains” (170). Bradbury incorporates a moment of foreshadowing here. This house, fully automated and programmed by human hands, begins to speak of the fall of man. In doing so, he essentially predicts his and his creator's doom. In particular, the last two stanzas state: “It would bother no one, neither bird nor tree, / If mankind perished completely; / And Spring herself, when she awoke at dawn / Would hardly know that we were gone” (170). Bradbury, once again, intentionally personifies nature to give it an overbearing and overwhelming quality over humans. For example, "Spring" is capitalized, even though it usually isn't. This suggests that "spring" is a proper noun, and it's similar to how we capitalize nouns like "God." Moreover,Bradbury deliberately states that the bird and the tree would not “care” if the human race were to become extinct, as if they truly possessed a critical-thinking brain (170). Bradbury gives all of nature an intelligent quality, eventually having a brain of its own. The reader understands that we cannot outsmart nature. For example, in the modern era, humanity has tried to build imposing, magnificent and strong buildings across the world.world. However, all these structures built by human hands will eventually deteriorate, no matter how strong the architectural foundations are. Our own school library is a great example of this. The building was erected on a structurally sound plan that required a lot of artistic thought and technological assistance like blueprints and bulldozers. Yet despite all our attempts to preserve it, it continues to sink. One day she will inevitably succumb to the earth, and when that happens, nature will be indifferent to her (171). Other structures clearly dominated by nature include the Leaning Tower of Pisa and all the Greek ruins that have collapsed in recent centuries due to natural damage. These examples illustrate the inevitability of all artificial structures, because man can never outsmart or outlive the natural universe. Additionally, each stanza of “There Will Come Soft Rains” suggests the irrelevance of humanity. The first three stanzas are limited only to natural representations: the environment and animals that live in harmony with the world (170). This tone of serenity and agreement then contrasts strongly with the concept of war, mentioned in the fourth stanza. This global problem is associated with man; therefore, man causes destruction, and man himself is doomed to destruction. By describing the peaceful ways of nature as war consumes humanity, the poem suggests the natural world's indifference toward man. This concept, which is highlighted so blatantly in "There Will Come Soft Rains", actually encapsulates much of the previously described cases throughout the novel. For example, in “The Taxpayer,” a man pleads to go to Mars because he fears that Earth will soon inevitably erupt into a huge atomic war (32). Additionally, the concept of nuclear war is also mentioned in "The Million-Year Picnic", as the characters themselves understood that war is highly destructive (174). By including the significant poem "There Will Come Soft Rains", Bradbury shows that he is extremely concerned to warn us of our own demise, which we bring about through the phenomenon of an impending war - a war of men, a war unsuitable for nature. the poem is Bradbury's sudden shift to a description of the burning house. The house begins to deteriorate due to harsh natural conditions, as fire overtakes it (170). In other words, this man-made structure begins to perish, which portends the deterioration of its creator, or rather of humanity as well. As Bradbury describes it, "the house gave way as the fire in ten billion furious sparks moved with blazing ease from room to room, then up the stairs...And the wall jets dropped mechanical rain showers” ​​(171). Bradbury states that the house gives way, suggesting how man will eventually give in to the powers of the natural universe. For example, all humans must die. We can try to resist our misfortune, and we have tried to do so through medical technology. Nowadays, many elderly people are supported at their age with, 1977.