For the visual description, I decided to write about the oil painting on panel attributed to the Master of the Epiphany of Kress and related to Dutch art, which is a 1988 gift from Joey and Toby Tanenbaum, in the collection of the Art Gallery of Ontario. The title of the work, The Expulsion of the Money Changers, dated around 1500, does not take into account the historical significance that the idea of ​​a work of art can fully represent. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”?Get an original essayA vertical structure approximately 167 x 98 cm, the painting illustrates a real location using bright, visible brushstrokes ; thus, the texture of the paint is smooth. Considering the general impression, the shapes, which are represented precisely, also do not offer an exact interpretation which gives an idea of ​​the work which remains its mysterious appeal. As a result, the work designed by the Kress Epiphany Master is visually eye-catching from all sides, and as the observer examines it gaining a new way of thinking and a main concept of the field of painting, new details and new values ​​appear. Although the title of the painting does not give a complete understanding of the work, its content is appealing in that much of the action is offbeat, with Jesus depicted as raging in the chapel and brandishing a flail to frighten money changers. far. In this piece, the central action is shifted from the interior of the church to the exterior of the entrance. At the back of the temple there is a view of Jerusalem. The powerful image of Christ is on the left side of the composition. The deep, intense red of his clothing sets it off against the multi-colored finish, mainly olive green and other dark colors in the photo. The flow of light passing through the center of the chapel seems to separate Christ, emphasizing the dynamic image of his movement. He illustrates it from above and therefore his facial expression remains indelible and cannot be indicated; nevertheless, such trivial allusions allow viewers to reflect on the historical context of the work. The Expulsion of the Money Changers is an important part of the Master's late 15th-century dramatic depiction of the Kress Epiphany. At this time, artists had a penchant for classical and biblical subjects; as a result, they demonstrated these themes in their painting. In the artwork depicted, Jesus, holding his right hand raised with a flail ready to strike the departing money changers, is the center of one such element of the fresco. Given the historical context, the Torah commanded Jews to attend church on three holidays, while they were to offer animal sacrifice and pay homage. Traditionally, traders stood outside the church to exchange currency and trade in beasts and promotional items for sacrifice. Renaissance artists created this painting, illustrating it in a manner and style that was more figurative than realistic. The money changers outside and the citizens watching have the same facial expressions. Additionally, farm animals that were meant to be exchanged for sacrifices are shown emerging from the painting on two sides of the painting, representing a precursor to the ongoing money changers. Beginning in the 13th century, local authorities, bishops, and kings throughout Western Europe continually ordered the expulsion of foreign citizens who lent money at interest. The punishment of these people, mainly Christians from northern Italy, arose in a..