There is no doubt that Dunkirk is indeed a British film. From its production, its setting and its casting, everything about this film is British. However, I would like to dig even deeper into this film to analyze why this film is so British. I believe the way Christopher Nolan shot this film created a deeper connection and empathy for what I wanted to be as a British soldier during the Dunkirk evacuation. Through an interesting choice in storytelling, shot composition and understanding of fear, Nolan has created a film that allows the viewer to put themselves in the place of what they might have felt in the fight for survival that every soldier felt at the time. no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an Original EssayThe vast majority of films produced focus on character. Directors and writers will create character-specific events with the goal of making the audience care about or connect with them. The emotional investment that audiences are able to place in a film's characters often leads to greater enjoyment and criticism. Nolan takes a more unique approach with Dunkirk. Rather than focusing on the characters affecting the plot, it focuses on the events in the plot affecting the characters. This may seem like a subtle difference at first, but I would argue that this change is what makes this film more interesting and more British. Rather than connecting and focusing on the characters in a film, the way certain scenes are shot immerses you as if you were a soldier right next to them. As an example, let's break down the evacuation scene where the protagonists can finally board a ship. House. If you have a keen eye, you'll notice that every shot in this scene is taken from the point of view of where a soldier might be. When we see the characters coming down the stairs, the camera follows them as if we, the audience, are standing at the top of the stairs and watching them. Additionally, when they pass through the crowd, the camera follows them as if the audience were just another soldier also trying to make their way through. Every shot in this scene is taken at eye level as the crowd looks down at the main characters. It makes you feel like you're part of the British Army on that boat rather than a spectator. If these shots were taken from below or above, it would create a detachment from the scene. Instead, eye-level shots combined with the camera moving like a person would create a subconscious connection with everyone on the boat. Not only does this scene establish a connection with the British army, but it also conveys the emotions one might feel in this scene. boat. The preceding shots of this scene help to create an uneasy tension. This is further explored, but a shot crosses the protagonist's eyes watching the lower deck being locked down, then turning to see other soldiers around him relaxing. We, the audience, can tell that unlike the others, the protagonist has a lot on his mind. Things like - the door has been locked so I can't get out and I'm stuck in a tight space with a group of strangers, not only are visible by the facial expression of the protagonist, but also cross the mind of the audience. This also serves as foreshadowing where later our worries are confirmed when the ship is hit by a torpedo and the protagonist almost drowns. These feelings progress throughout the film. Whether it's the pilots fuel gauge, or.