In Shakespeare's play, the protagonist, Hamlet, is faced with the mission to avenge his father. He decides to act crazy as part of his plan to kill Claudius and avenge his father. As the plot of the play mounts, his madness becomes more and more believable. Readers know that Hamlet is going mad because of the monologues he gives. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay. Hamlet plays crazy because it helps him carry out his plan without any character becoming suspicious. This is first mentioned when he asks Horatio and Marcellus not to comment on his "antique disposition (1.5.192)". As Hamlet acts like a madman, this allows him to talk to everyone, which is not the way a prince would. When Hamlet speaks to other characters, he sometimes mocks them and speaks to them in a way that a prince would not. Although his game backfires on Gertrude, Hamlet is able to criticize her harshly for her actions because she thinks he is crazy. During the play he also makes numerous sexual references and even makes sexual remarks towards Ophelia such as "It's a good idea to lie between the maids' legs (3.2.125). » His convincing act of madness gives him the opportunity to release some anger against Ophelia for abandoning him. When Polonius decides to “take leave” of Hamlet, Hamlet responds, “You cannot take from me anything that I would more willingly part with (2.2. 233).” Another example of Hamlet's madness is when he accuses Youssef 2 of killing Polonius. If he were truly crazy, would he be able to know that he is crazy and consciously know that what he is doing is wrong and crazy. The way Hamlet "controls" his madness by distracting from his plan and blaming the fact that he is mad because of his father's death. This only lets him know what he's really thinking, doesn't force him to answer questions about why he might be acting strangely, and allows him to continue planning his assault on Claudius. His plan to maintain the appearance of a madman is a clever one, and the fact that he does a good job in his portrayal only makes him smarter, not crazier. On the other hand, Hamlet acts perfectly sane when there is no need to act crazy. . When he tells Horatio about watching Claudius for signs of guilt during the play, he says: "Give him careful note, for my eyes will rivet his face, and, afterward, our two judgments will join in censorship of one's appearance (3.2). .87).” His words to Horatio are those of a sensible man. Horatio is one of the few people to whom he doesn't need to prove that he's "crazy" and, as such, he doesn't try. Additionally, when telling players how to act, he is surprisingly organized and natural. For example, he asks: “You could, if necessary, study a speech of a dozen or sixteen lines, which I would file Youssef 3 and insert there, could you not (2.2.565)? His question is direct and simple, like all his instructions, and it seems that the player not only fully understands, but is also comfortable with Hamlet and what he is asking. It is much more plausible that a sane man could play a madman, than a mad man could play a madman, and so reason would judge Hamlet reasonable. Further proof that Hamlet must be sane is that even in his "madness" he is intelligent in his speech and fully understands the situations around him. He plays his crazy character almost too well, and every sentence he utters seems like a..