Tennessee Williams, an American playwright, soon produced a major play, A Streetcar Named Desire, which reflected 1950s society as as a social and artistic work, all including references to elements of his life. such as mental instability and . Williams' character, Blanche DuBois, was a weak woman who enjoys fantasy and dependence on man. According to the play, Blanche continually “throws” her rejected love into the world, only to have this love revisit her in the form of suffering(1). Today we find ourselves in a very different world than people in the 1950s. It must also be admitted that opinions on amphoteric relationships are obviously zSometimes we have traditional women who really enjoy staying at home, giving birth and take care of the whole family. They have an image of this condition in their heads, or they were told about it when they were young, and they have a kind of irrational and passionate love for it. Sometimes people approach him that way, and somehow he maintains that aura around him in our current culture and in the history of the period piece that Williams wrote in A Streetcar Named Desire. Usually, people would like to reserve all their curiosity about desire, but in a way Williams subverted the usual practice; he spoke about human desire, particularly sexuality, in his work. It occupies such a special place in the imagination of our culture. The point is that Williams is trying to imagine a self-contained work of art that has a deep thought, that is somehow violent or personified, and this sexual desire to do the tragic, something alive, brings into the world of the tragic the problem of death. Tennessee William explores a conflict between desire and death. There...... middle of paper ...... the common position of most women in the post-war years. So in this relationship, the root of the tragedy, the narrow and limited vision of women, they do not believe in themselves. Works Cited1. Williams, TN. “A Streetcar Named Desire,” a New Directions book, copyright 1947.2. KLEB, Guillaume. “Marginalia: tramway, Williams and Foucault. » in Philip C. KOLIN (ed.), Confronting Tennessee Williams's A Streetcar Named Desire (Westport, CT: Greenwood, 1993), 27-43.3. Kernodle, George R. “The Theater of Exaltation: Modern Tragedy and Poetic Drama.” Kernodle, George R. Invitation to the Theater. New York: Harcourt, Brace & World, Inc., 1967. 217-223.4. Tragi-comic Transportation Authority. Tennessee Williams: a tribute. Ed. Jac Tharpe. Jackson: UP of Mississippi, 1977. 116-125.5. Berkman, Leonard. “The Tragic Fall of Blanche DuBois.” Modern drama 10.2., 1967. 249-257.